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Compact 500 Series module with enhanced Midas HERITAGE 3000 four band fully parametric equaliser
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Class leading equaliser acclaimed for it's warm and responsive character with fast easy setup
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Precision dual concentric controls give instant access to fully variable gain and frequency settings
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Bass and treble bands with selection switches for bell or shelving responses
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Fully variable bandwidth controls on all four bands in bell mode
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High power balanced output drives long audio cables with ease
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High performance electronically balanced input stage with high common-mode rejection
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Ultra low noise design using premium quality op-amps
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True hardware bypass selection switch removes all circuitry from the signal path when equalisation is not required
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Power up mute relays prevent switch on thumps
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Advanced design with low power consumption gives extended component life
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Premium quality components throughout for a crystal-clear audiophile signal path
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Designed and engineered in the U.K.
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High performance, compact 500 Series premium Midas microphone/line preamplifier
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Award-winning Midas amp has been enhanced with quad discrete ultra low noise input transistors
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Legendary Midas input allows up to +24 dBu signal levels with no pad while featuring the much loved soft clipping characteristic
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Classic Midas XL4 swept low and high pass filters with independent selection switches
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Switchable twin aux balanced output gives you mic/line splitter capability when installed in Midas L6 or L10 racks
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Unique twin precision 11 segment LED circular input and output level metering
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High accuracy rotary switch gain control with 60 dB range in 5 dB steps
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Output gain trim with ±20 dB range controls input and output stage colouration
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Total gain range is an amazing -20 dB to +80 dB easily accommodating low output mics
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Large gain trim knobs provide precise control of input and output gains
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Illuminated switches for filters, +48V, polarity reverse and (TX) twin aux output enable
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Power up mute relays prevent switch on thumps
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Premium quality components throughout for a crystal-clear audiophile signal path
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Designed and engineered in the U.K.
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Breakout box with 8 balanced XLR line in and 8 balanced XLR line out for StageConnect systems
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Can be used as analogue I/O box for other StageConnect devices, Turbosound iQ speakers or Behringer WING and Ultranet receivers, such as P16 personal monitoring mixers
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StageConnect 32-channel audio transmission at sub-millisecond latency, 24-Bit uncompressed PCM, 44.1/48 kHz using standard XLR microphone or DMX cable
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Allows cascading with other StageConnect boxes, such as DN4816-I and DN4816-O for more analogue inputs and outputs
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Flexible connectivity on stage and between side racks using any balanced microphone cable
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Supports bi-directional audio configurations, with control data and 12 VDC/18 W remote power
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Master mode allows exchanging multichannel audio with a chain of other StageConnect devices
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Slave modes offer 8x8 or 16x8 channel configurations to be used with StageConnect-enabled mixing consoles, stage boxes and hubs
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Dual Ultranet outputs for feeding Behringer P16 personal monitoring and Turbosound iQ speaker systems directly from StageConnect and analogue inputs
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External power supply for standalone use and offering remote power on the StageConnect Master output
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Breakout box with 16 balanced XLR line out for StageConnect and Behringer Ultranet systems
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Analog output box for other StageConnect devices, Midas HUB4 and Behringer WING or Ultranet transmitters such as Midas MR18/M32 and DL16/DL32 stageboxes
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StageConnect 32-channel audio transmission at sub-millisecond latency, 24-Bit uncompressed PCM, 44.1/48 kHz using standard XLR microphone or DMX cable
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Two units can be cascaded for a total of 32 low-latency analogue outputs fed from a single StageConnect source
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Flexible connectivity on stage and between side racks using any balanced microphone cable
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Supports bi-directional audio configurations, with control data and 12 VDC/18 W remote power
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Master mode allows exchanging multichannel audio with a chain of other StageConnect devices
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Operates in Master mode, or as Slave synchronised to StageConnect or Ultranet input streams
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Ultranet output for feeding Turbosound iQ speaker systems and Behringer P16 personal monitoring directly from StageConnect bus
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External power supply for standalone use and offering remote power on the StageConnect Master output
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Breakout box with 16 balanced XLR line inputs for StageConnect and Behringer Ultranet systems
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Can be used as analogue input box for other StageConnect devices, Turbosound iQ speakers or Behringer WING and Ultranet receivers such as P16 personal monitoring mixers
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StageConnect 32-channel audio transmission at sub-millisecond latency, 24-Bit uncompressed PCM, 44.1/48 kHz using standard XLR microphone or DMX cable
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Two units can be cascaded for a total of 32 low-latency analogue line inputs feeding the StageConnect bus
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Flexible connectivity on stage and between side racks using any balanced microphone cable
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Supports bi-directional audio configurations, with control data and 12 VDC / 18 W remote power
-
Master mode allows exchanging multichannel audio with a chain of other StageConnect devices
-
Slave mode for use with StageConnect-enabled mixing consoles, stageboxes and hubs
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Dual Ultranet outputs for feeding Behringer P16 personal monitoring and Turbosound iQ speaker systems directly from StageConnect bus and from analogue inputs
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External power supply for standalone use and offering remote power on the StageConnect Master output
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Compact 500 Series premium compressor/limiter with dynamic presence control
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Fully variable dynamic presence feature preserves high mid-range frequencies for a more natural sound during compression
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Dynamic presence control adds "air" to vocals without introducing noise or pumping effects and reduces the risk of feedback during live performances
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Manual envelope controls with linear peak-sensing compression or easy to use Auto mode with RMS compression
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Soft or hard knee compressor response with selection switch
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Sidechain high pass filter with selection switch eliminates undesirable low frequency compression artefacts
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High performance electronically balanced input stage with high common-mode rejection
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High power balanced output drives long audio cables with ease
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Precision gain reduction and signal level metering
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True hardware bypass selection switch removes all circuitry from the signal path when compression is not required
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Power up mute relays prevent switch on thumps
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Premium quality components throughout for a crystal-clear audiophile signal path
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Designed and engineered in the U.K.